((PKG)) MONUMENT QUILT HEALING ((Banner: The Healing Quilt)) ((Reporter: Faiza Elmasry)) ((Camera: Mike Burke)) ((Adapted by: Philip Alexiou)) ((Map: Washington, D.C.)) ((NATS)) ((Hannah Brancato, Co-founder, FORCE)) The monument quilt is inspired by the Names Project [AIDS Memorial] as a way of occupying public space to create a community art project for people to grieve together. It is motivated by the fact that there is no public monument to survivors of sexual and to intimate partner violence, and that in order to heal from trauma, we actually need to have public monuments to convene with our communities, especially those who haven't witnessed ((Photo Courtesy: Theresa Keil)) or experienced the same trauma. WeĠre a survivor led organization and we are putting the needs of survivors first ((Photo Courtesy: Nate Larson)) in creating a public platform for our healing. ((Photo Courtesy: Nate Gregorio)) This display is the final 50th display that we've done around the country, in the U.S. and in Mexico, in 33 different cities, over the past six years of organizing. ((NATS)) ((Greg Grey Cloud, Artist and Activist)) Four years ago, I was asked to share a story of sexual assault from a male perspective. And at that time, no male had shared their story until I finally, you know, got enough nerve to share my story since from when I was 9 years old, when I was sexually assaulted. But these women here at the Monument Quilt Force, they created such a safe space for me to share my story that I just felt that I needed to be actively involved. ((NATS)) ((Kalima Young, Project Co-ordinator)) Trauma, especially gender based violence and sexual trauma, lives sort of in the soil. It lives in the body and when you put the quilt out and it's on display, it often acts like an acupuncture needle and it opens up the spaces of trauma. And often people, who don't even identify as survivors, once they experience the quilt, realize that they have sexual violence in their history. ((NATS)) ((Naomi Chandel Kumar, Monument Quilt Visitor)) It's really beautiful to see survivors standing up and not being afraid and being able to find healing and community. That's really important, I think, for artists and for survivors to heal together and being able to create something with that energy as opposed to it eating you up is a much better use, I think, of our creative talents and of our energy and healing practice. ((NATS)) ((Kalima Young, Project Organizer)) The biggest thing that everybody wants, who does this kind of work, is we want to tell survivors that we believe you, we see you and you're not alone and you're not to blame. ((NATS))